CHARLES I. RECORD' (Baritone)
THE CELTIC HARP Trio
From the Hotel Ccoil
2.0 2.25 Experimental transmission of still pictures by the Fultograph Process (and at this same hour on tho remaining days of the week.) 5XX (Daventry only).
Sir WALFORD DAVIES :
(a) A Beginner's Courso
(b) An Intermediate Courso with a Short Concert
(c) A Short Advanced Course
The Rev. J. A. NAIRN. D.Litt.: 'The Classics in Translation-III, The Translators of the Augustan Age'
(Continued)
Aboard H.M.S. Sticklebat /
The Scone is tho Word Room, wherein those members of the Ship's Company who have promised to appear in ' A Grand Concert' to be given tomorrow ovening, arc gathered together for a final rehearsal
HANDEL'S VIOLLN SONATAS
Played by .EDA KERSEY
Sonata in F (First Threo Movements)
Adagio; Allegro; Largo
A Discussion between Miss Eleanor Rathbone and Professor D. M. MacGregor
No one is better qualified to discuss the subject of family allowances than Miss Eleanor Rathbone, whose recent book, 'The Disinherited Family,' did so much to bring the question before the public. To base wages on a supposed family of man, wife and three children means, on Miss Rathbone's showing, that a family wage is going to many wage-earners with no family obligations, and that those with large families get too little for their needs. Professor MacGregor will discuss the pros and cons of this problem with Miss Rathbone.
S.B. from Sheffield
FRANCIS RUSSELL (Tenor)
Louis PECSKAI (Violin)
THE WIRELESS MILITARY BAND
Conducted by B. WALTON O'DONNELL ,
THE Overture begins with the oliin notes of Oberon's horn, twice repeated,with a soft fairylike theme on the strings responding to it. All the first section is fairy music of the daintiest order, and then, with a sudden crash, we are transported to the rush of the mortal world. The first part of the quick section which follows comes to an end with an echo of the horn, and a reminder of the fairy music, and then there is a very lively theme played first by clarinet and afterwards by violins. The next important tune is that of the great air sung by the heroine Rezial, telling of her love for the knight Sir Huon, and another vigorous passage suggests the chivalry and glittering pomp of the Court of Charlemagne,
: THE PICCADILLY
PLAYERS, directed by AL STARRTA, and THE PICCADILLY HOTEL DANCE BAND, directed by JAMES KELLEHER, from the Piccadilly Hotel