LILLY PHILLIPS ('Cello) and HINDA PHILLIPS (Pianoforte)
By LEONARD H. WARNER
Relayed from St. Botolph's, Bishopsgate Pastoral; Intermezzo ; Fugue
by the HOTEL METRO
POLE ORCHESTRA from the Hotel Metropole (Leader: A. MANTOVANI)
: London's Great
Buildings-V, Southwark Cathedral'
SOUTHWARK CATHEDRAL is probably better known, even to Londoners, as the source of broadcast organ recitals than it is by sight, for it has been surrounded by buildings, railways and wharves until it has earned the title of London's least known Cathedral. But it is a beautiful Early English building with a long and interesting history. Gower, Fletcher and Massinger are amongst the famous men who are buried there, which Mr. Allen Walker will recall in his talk this afternoon.
Arranged by THE PEOPLE'S
CONCERT SOCIETY
In co-operation with the B.B.C.
Third Concert of Eighth
Series
Relayed from Hammer-smith Town Hall
JOSEPH SLATER (Flute)
REGINALD PAUL
(Pianoforte)
A Contingent of Ladies of The LONDON CHORAL SOCIETY, conducted by ARTHUR FAGGE
Two Movements from Sonata for Flute in G
Haydn Allegro modcrato (Moderately quick) ; Finale (Presto-Very quick)
I'art Songs (to be announced)
Pianoforte Solo: Chorale
Prelude on ' Thy -name is like unto the sun '
Bach, arr. Rummel
The Second part of the programme will be announced at the Concert
QHROVE TUESDAY has long ceased to have much actual meaning for an age that has forgotten how to fast and for which Ash Wednesday has no rigours in store. But there are still some pleasant old customs associated with the day, and the Westminster pancake-tossing is as typically English an institution as the Mardi Gras celebrations are typically French. Miss Hewitt will describe some of the Shrove Tuesday traditions in to-day's talk.
MICE AND MEN!
The latter will discourse, with and without music, upon the former. (Chairs will be provided for ladies)
from the Prince of Wales Playhouse, Lewisham
BEETHOVEN VARIATIONS for Pianoforte
Played by JOHN PAUER
Six Variations on a Swiss Theme
Six Variations on a Theme from 'The Ruins of I Athens,' Op. 76
(Relayed from
Oxford)
IN last week's talk the Master of Balliol dismissed the claim of the economist that buying-and-selling relations can alone constitute the basis of a society. To-day he will examine the similar claims of the moralist that even economic relations should be based on ethical values, and meet it by the just distinction between goodness or rightness of purposes and cleverness or efficiency in the power of achieving them.
Miss VIOLET ESSEX and TUCKER
(The Singing Violinist)
Relayed from the People's Palace, Mile End Road
VERDI PROGRAMME
THE WIRELESS SYMPHONY ORCHESTRA
Conducted by PERCY PITT
MIRIAM LICETTE (Soprano) ; ASTRA DESMOND
(Contralto); TREFOR JONES (Tenor) ; DENNIS
NOBLE (Baritone)
ORCHESTRA
Overture to 'The Sicilian Vespers'
ASTRA DESMOND and Orchestra
Air, ' 0 Fatal Gift ' (' Don Carlos ')
ORCHESTRA
Prelude, Act III, ' La Traviata' Slave Dance, Aida '
TREFOR JONES and Orchestra
Air, Heavenly Aida '
MIRIAM LICETTE and Orchestra
Introduction and Air, ' Lo, this terrible Place '
(' The Masked Ball')
ORCHESTRA
Prelude to Act I, ' Aida '
DENNIS NOBLE and Orchestra
Credo (' Othello ')
MIRIAM LICETTE. ASTRA DESMOND, TREFOR
JONES and DENNIS NOBLE, with Orchestra
, Quartet : ' Fairest Daughter of the Graces '
(from ' Rigoletto ')
(In Interval)
(Continued)
ORCHESTRA
Ballet: 'The Four Seasons ' (' The Sicilian
Vespers ')
MIRIAM LICETTE , ASTRA
DESMOND, TREFOR JONES and DENNIS NOBLE, with Orchestra
Act III. ' Aida '-' The
Nile Scene '
by ELEANOR WILKINSON
On a Two-Manual Harpsi chord made by Jacobus Kirekman (1763)
: AL-
FREDO'S ORIGINAL BAND and HAL SWAIN and his NEW PRINCES ORCHESTRA, from the New Princes Restaurant