ALICE NAYLER (Soprano) JOHN LALITTE (Baritone)

Played by EDWARD O'HENRY
Relayed from TUSSAUDS'
CINEMA

(London only)
LEONARDO KEMP and his PICCADILLY HOTEL ORCHESTRA
Relayed from THE PICCADILLY
HOTEL

LILIAN RICHTER RUSHWORTH
(Soprano)
GERTRUDE MELLER (Pianoforte)

JACK PAYNE and his B.B.C.
DANCE ORCHESTRA

LEONARDO KEMP and his PICCADILLY HOTEL ORCHESTRA
, Relayed from THE PICCADILLY
HOTEL

' Mending Roadways ' and other Songs sung by ARTHUR WYNN
Further Hints on How to Play Hockey, by G. F. McGRATH
Some Piano Solos, played by MAURICE COLE ' The Third Meeting Pool,' from ' The Meeting
Pool ' (Mercyn Skipper)

' PATHFINDER '—by which name many listeners will know Mr. Simpson-takes us with him on a walk through Surrey in winter. This favourite home-county, abounding in hill-paths, provides good walks through ample pine-woods where yew and ' Christmas trees' lend a green note to the grey days of December.

Played by DOROTHY MOGGRIDGE
Sonata in A Minor, Op. 154
Allegro ma non troppo ; Allegretto quasi Andantino ; Allegro Vivace

S.B. from Manchester
THE NORTHERN WIRELESS ORCHESTRA
Conducted by T. H. MORRISON
9.0 Weather Forecast, Second General News Bulletin; Local News; (Daventry only) Shipping Forecast and Fat Stock Prices

10.20 A Recital by Alfred Cave (Violin)

One specially interesting thing about the Mozart Sonatas for violin and pianoforte is that he could play either of the instruments himself. His amazing feats as a pianist at a ridiculously early ago are made so much of in all the books about him that it is easy to forget how well he played the violin, too. His father was particularly anxious that he should shine as a fiddler and kept him to his practice with scoldings and encouragements at different times. On at least one occasion he assured his son that if he could only play with more confidence, he might be as great a violinist as he was a pianist. Mozart neglected the instrument latterly, but his knowledge of it was always turned to good account in his chamber and orchestral music, and his violin parts are always admirably suited to the fine qualities of the instrument; in the affectionate slang of performers, they play themselves well.'

Pugnani was one of the foremost violinists of the age which succeeded Tartini, whose most famous pupil he was. He is regarded as having carried on the fine traditions of Corelli and Tartini, and as handing them on to the succeeding ago of which a leading light was his own pupil, Viotti. He composed much, although very little of his own music has survived except such occasional pieces as this; Kreisler has arranged it as a very effective solo.

In the brilliant and effective music which Sarasato left for the instrument he played so well himself, he often made use of actual tunes from his native Spain, lending them a brilliance which, added to their own vivid and rhythmic qualities, makes very effective pieces of them. There was a time when Sarasate's solo pieces appeared in violinists' programmes with almost the same unfailing regularity as Kreisler's original pieces and transcriptions do now.

Accompanist, Henry Bronkhurst

JACK HYLTON 'S AMBASSADOR CLUB BAND, directed by RAY STARITA , from THE AMBASSADOR
CLUB