VICTOR OLOF (Violin)
SIDNEY CROOKE (Pianoforte)
Sonata in D Minor, Op. 108 Brahms
THE third of Brahms' three Sonatas for Violin and Pianoforte, this is the first favourite with a good many violinists. It was composed in 1889. It is on the whole a. grave and thoughtful work, but full of Brahms' own song-like melody.
The first movement is in the usual form-two chief themes which are set forth, worked out, and then repeated at the end of the movement.
The second movement, short, is lyrical and tender, and the third is in the usual Scherzo form with a contrasting middle section. The opening section is somewhat altered when it reappears at the end.
The last movement is in Rondo form, that is, a movement in which the principal tune keeps on coming round after various episodes have interrupted it. It is bright and vivacious, and the chief tune is heard at the outset.
By LILIAN COOMBES
Organist and Director of the Choir,
Brixton Independent Church
Relayed from St. Mary-Ie-Bow
MOSCHETTO and his ORCHESTRA
From the May Fair Hotel
Wherefore of Farming ' (Course II) :
' The Composition of Plants; Assim. ilation'
'THE TAMING OF THE. SHREW
(Shakespeare)
From the Prince of Wales Theatre, Lewisham
THOROUGHLY BLUE
'The Blue Room ' and other ' Blues' as painted by JACK PAYNE and the B.B.C. DANCE ORCHESTRA
' Those Deep Depression over Iceland Blues ' (Roger Eckersley )
'The Blue Rose' (Maurice Baring),
' The Blue Fish' (Dorothy Fisk )
BACH'S CHORAL PRELUDES
Played by LEONARD WARNER
From St. Botolph's,
Bishopsgato Ein Feste Burg ist unser Gott (A
Stronghold Sure is our God)
Herzlich thut mich verlangen
(Earnestly I long)
Wo soil ich fliehen hin? (Whither shall I fly ?)
Aus tiefer Noth schrei ich zu dir
(From deepest need I cry to Thee)
Valet will ich dir geben (Farewell will I bid thee)
THIS evening Mr. Ernest Newman
, who has lately been giving the talks on next week's broadcast music, will give his first talk in his new capacity of the B.B.C. music critic-the position so long filled by Mr. Percy Scholes. Mr. Newman has made his name as one of the most trenchant and vigorous of music critics, and one who, whilst as learned as any, possesses a style attractive to the layman as well as to the serious student of music. He has been critic to The Manchester Guardian, The Birmingham Post and The Sunday Times, !and has published many books, among the most notable being ' Wagner as Man and Artist' and ' The Unconscious Beethoven.'
Relayed from the Queen's Hall
(Solo Lessees—Messrs. Chappcll and Co., Ltd.)
WYNN REEVES and S. KNEALE KELLEY (Principal Violins)
Conducted by ERNEST ANSERMET
Part I
Sinfonia, No. 8
Boyce, edited Constant
Lambert Pomposo ; Allegro; Andante ; Gavotte
(The Martyrdom of Saint Sebastian) - Debussy
Incidental Music to the Mystery by Gabrielle D'Annunzio
(First Performance of the complete music in Great Britain)
In Five Scenes:
1. The Court of Lilies
2. The Magic Chamber
3. The Council of False Gods
4. The Wounded Laurel
5. Paradise
A Section of 150 of The National Chorus
Chorus Master, Stanford Robinson
(Continued)
Part II
Introduction and Allegro for
(The Consecration of Spring)
Stravinsky
Winnie Victoria (Entertainer)
David Jenkins and Suzette Tarri (Syncopated Duets)
Tommy Handley (Comedian)
Jack Payne and the B.B.C. Dance Orchestra
