Leonard Bernstein at
Harvard
4: The Delights and Dangers of Ambiguity. Bernstein continues to look at the nature of music through the romanticism of Berlioz, the magic of Wagner and the 'dreaminess' of Debussy. The programme includes the ball scene from Romeo and Juliet by Berlioz, the Prelude and Lovedeath from Wagner's Tristan and Isolde, and Debussy's Prelude a l'après-midi d'un faune, performed by the Boston Symphony Orchestra, conducted by Leonard Bernstein , (R)