rehearses students in scenes from Mozart's 'Don Giovanni'
Translation by Edward J. Dent
With Richard Jackson, Alexander Gauld, Elaine Watts, Barbel Edwards and Linda Murray

In his last class Sir Geraint works on scenes from Mozart's Don Giovanni.
How do you make a stage struggle look convincing? How do you act a love scene without excessive sentiment or vulgarity? How do Don Giovanni and his servant Leporello (a role particularly identified with Sir Geraint) establish and develop their relationship?
Tonight there is a chance to see the detailed work that goes to make a performance.

(Colour)