Haydn dedicated most of his published works to influential patrons. Beethoven followed his example, despite his forward-looking ideals, but Mozart was largely uninterested in currying favour. Penny Gore investigates the niceties of musical patronage, including:
Haydn String Quartet in G, Op 76 No 1 Prazak Quartet
Beethoven Variations on a Theme of Count Waldstein Anthony Goldstone and Caroline Clemmow (piano duet) Repeated from yesterday 10pm