Programme Index

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by Maurice Cranston
This dialogue attempts to reconstruct the interchange of ideas between Karl Marx and Michael Bakunin when they met on November 3, 1864. The Russian socialist was on a visit to London: Marx, living here in exile, paid a friendly call on him. They had known one another for more than twenty years. Each was wary of the other, and both were competing for leadership of the workers' international. Marx was opposed to Bakunin's panslavism and libertarianism: Bakunin was equally opposed to Marx's ' Germanic ' state socialism. But each still regarded the other as a possible ally in the struggle against the bourgeoisie. with Marius Goring as Karl Marx
Meier Tzelniker as Michael Bakunin Produced by DOUGLAS CLEVERDON

Contributors

Unknown:
Maurice Cranston
Unknown:
Karl Marx
Unknown:
Michael Bakunin
Unknown:
Marius Goring
Unknown:
Karl Marx
Unknown:
Meier Tzelniker
Unknown:
Michael Bakunin
Produced By:
Douglas Cleverdon

by GORDON Rupp
For 400 years Luther has been known in this country by less than a dozen of his thousands of writings. Now an edition of more than fifty volumes is in progress in the U.S.A.
Professor Rupp speaks about the recent translation into English of some of the lectures Luther gave as a young professor in Wittenberg, and considers their bearing on the traditional picture of the Reformer.

Contributors

Unknown:
Gordon Rupp

JENNIFER VYVYAN (soprano) THE BASIL LAM Ensemble Patrick Hailing (violin) Marjorie Lavers (violin) Peter Hailing (cello)
Basil Lam (harpsichord)
Trio-Sonata No. 2, in E flat major (set of 10) The Blessed Virgin's Expostulation
The fatal hour
Olinda
Dear, pretty youth
Trio-Sonata No. 3, in A minor
(set of 10) First of a series of thirteen programmes in which all Purcell's trio-sonatas are to be played

Contributors

Soprano:
Jennifer Vyvyan
Violin:
Marjorie Lavers

Third Programme

Appears in

About this data

This data is drawn from the Radio Times magazine between 1923 and 2009. It shows what was scheduled to be broadcast, meaning it was subject to change and may not be accurate. More