@ from page 73 of ' New Every Morning '

The Pro Arte Quartet: Quartet in G, Op. 77, No. I (Haydn)—1 Allegro moderate. 2 Adagio. 3 Minuetto. 4 Finale: Presto

@ German for Sixth Forms
'Naturgefühl in Poesie und
Prosa MARGOT BERGER

Herbert Ernst Groh (tenor): This picture is enchanting fair (The Magic Flute) (Mozart). Virgin Maria (Alessandro Stradella) (Flotow)

(From the Acts of the Apostles to the Reformation)
28-Movements and Changes
Abroad-Luther and Calvin
The Rev. Archibald Main ,
D.D., D.Litt.,
Regius Professor of Ecclesiastical
History in the University of Glasgow

from the Chelsea Parish Church of St. Luke
Percy Whitlock
(by permission of the Bournemouth
Corporation)

D A programme of popular dance music on gramophone records

@ Tina Bonifacio (harp)
Harry Dyson (flute)
Gethyn Wykeham-George
(violoncello)
(From Northern Ireland)

@ Science and Gardening
The Plant World (continued)
'Fungi'
B. A. KEEN , F.R.S.

D Cadences (ii) Compound Time (iii)
THOMAS ARMSTRONG , D.Mus.

from the Savoy Hotel

@ Early Stages in German
G. WILMSEN and AMELIE VON BEHR

@ at the Organ of the Empress Ballroom, Blackpool

Grand Orchestre Philharmonique
(Paris), conducted by Selmar Mey rowitz : La Rosiere Républicaine (The Republican Rose Queen) (Suite de ballet) (Gretry, arr. Meyrowitz) — Danse legere. Contredanse. Intermezzo. Rondo. Romance. Furioso. Gavotte. Carmagnole
The London Philharmonic Orchestra, conducted by Sir Thomas Beecham , Bt.: Rossiniana (Rossini, arr. Respighi) —1 Barcarolle and Siciliana. 2 Intermezzo. 3 Tarantelle

Enid Cruickshank (contralto) ORCHESTRAENID CRUICKSHANK AND ORCHESTRAORCHESTRAENID CRUICKSHANK AND ORCHESTRAORCHESTRAENID CRUICKSHANK AND ORCHESTRA ORCHESTRA

including Weather Forecast

played by Nina Miikina (pianoforte)
Ballade in F minor, Op. 52
Mazurka in A flat, Op. 7, No.
Mazurka in E minor, Op. 41, No. 2 Study in F, Op. 10, No. 8

Herbert Howells , Mus.Doc.

invites you to book a table at
'THE BUNGALOW CLUB* where you will meet
Morris Harvey Harold Clemence
Marcel Boulestin Tommy Tucker and The Beachcombers

at the BBC Theatre Organ in a Programme of Descriptive Music assisted by The Variety Effects Department

' Restoring a Home to Water Birds '
A fen mere re-created in Cambridgeshire
J. Wentworth Day
The reclaiming of marshland in the eastern counties of England which has gone on through the centuries has been an excellent thing for everything but the marshland birds that used to inhabit it. Today the editor of Illustrated Sporting and Dramatic News is to tell listeners about the success he has already achieved in re-creating marshland out of a piece of land he inherited in Cambridgeshire. The bittern, among other interesting birds, has already come back.
James Wentworth Day was assistant editor of Country Life in 1925 and acting editor of The Field in 1930. He is the author of a number of books and authentic articles on sports and birds, and has recently returned from Egypt, where he advised the Egyptian Government on the preservation of birds. Later on he is to give a talk on his experiences out there.

by Miriam Licette (soprano)
Histoires naturelles (Scenes from
Animal Life)
1 Le Paon (The Peacock). 2 Le Grillon (The Cricket). 3 Le Cygne (The Swan). 4 Le Martin-Pecheur (The Kingfisher). 5 La Pintade (The Guinea-Fowl)
Cinq Melodies populaires grecques
(Five Greek Folk Songs)
1 Chanson de la mariee (Wake up, my dear). 2 La-bas, vers l'église (Out there where the church tower). 3 Quel galant m'est comparable (Which gallant can compare with me). 4 Chanson des cueilleuses de lentisques (Song of the lentisk gatherers). 5 Tout gai! (Be gay!)
See notes on page 13

including Weather Forecast and Forecast for Shipping

(Section G)
Led by Manus O'Donnell
Conducted by Leslie Heward
Paul Makanowitzky (violin)
ORCHESTRA
Toccata, Aria, Minuetto, and Giga Scarlatti , arr. Esposito
9.47 PAUL MAKANOWITZKY
AND ORCHESTRA
Violin Concerto No, 5, in A (K. 219)
Mozart
1 Allegro aperto. 2 Adagio. 3 Rondo: Tempo di minuetto
Paul Makanowitzky is the son of a Russian violinist who lives in Paris. He received his first lessons on the violin at the age of four at the Russian Conservatoire in Paris. At the age of seven he gave his first recital, and later became a pupil of Jacques Thibaud. Although only sixteen years of age he has already given concerts with great success in France, Spain, Portugal, Denmark, Holland, and Sweden. He made his first appearance in England before the microphone in October, 1936.
Superb Understanding
Mozart's Violin Concerto No. 5, in A (K.219) is the fifth of six concertos written by him during 1775 and 1776. He was about twenty at the time of the first, and since he was then practising the violin hard-he was actually quite an accomplished player—it is presumed he composed them as much for his own use as for use by others. This concerto is scored for small prchestra, two oboes, two horns, and strings, and the solo part is written with superb understanding of the genius of the instrument.

Of Diaries and Letters-June John Maude

from the Piccadilly Hotel

Benny Goodman and his Orchestra