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Haydn Overture: Orlando Paladino
ENGLISH CHAMBER ORCHESTRA conducted by RICHARD BONYNGE
7.9* Brahms Serenade No 1. in D LONDON SYMPHONY ORCHESTRA conducted by ISTVAN KERTESZ gramophone records

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Rossini String Sonata No 1, in G ACADEMY OF
ST MARTIN-IN-THE-FIELDS directed by NEVILLE MARRINER
8.18* Mozart Piano Concerto No 21 (K 467)
INGRID HAEBLER LONDON SYMPHONY ORCHESTRA conducted by WITOLD ROWICKI
8.48*
Gluck Chaconne STUTTGART CHAMBER ORCHESTRA conducted by KARL MÜNCHINGER gramophone records

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Berlioz
Love Scene. Queen Mab Scherzo , and Finale from his Dramatic Symphony RomSo et .Juliette
PATRICIA KERN (contralto)
ROBERT TEAR (tenor)
JOHN SHIRLEY-QUIRK (baritone) LONDON SYMPHONY ORCHESTRA conducted by COLIN DAVIS gramophone records

MELOS QUARTET OF STUTTGART Part 1
Hindemith Quartet No 3. Op 22 Brahms Quartet No 3, in B flat, Op 67
10.55' Interval Reading
11.5* Concert: Part 2
Mendelssohn Quartet in E flat, Op 12

(Sung in German)

Evangelist: Alexander Young (tenor)
Christus: John Noble (baritone)
Jennifer Smith (soprano) Alfreda Hodgson (contralto) Thomas Hemsley (bass)
BBC Singers, director John Poole
Wandsworth School Choir, director Russell Burgess
Continuo: Adam Skeaping (viola da gamba) John Boyce (cello) Gerald Brinnen (double-bass) Alan Harverson (organ) Hubert Dawkes (organ)
Malcolm Hicks (harpsichord)
BBC Symphony Orchestra, leader Bela Dekany, conducted by Charles Mackerras

(Stereo)

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A meditation for Good Friday by Jim Cotter with KATHLEEN RAINE JILL BALCON
LAURENS VAN DER POST Special music by IAIN KENDELL and STUART ALLIN arranged.for radio and produced by ANGELA TILBY and ALEC REID

Part 2
(Recorded before an invited audience in BBC Studio 1, Maida Vale on 29 and 30 January)

CARLETONHOBBS reads from Tintern Abbey and The Prelude (lines dealing with the French Revolution)
These extracts show Wordsworth at the height of his powers as a descriptive and autobiographical poet.
Introduced by HALLAM TENNYSON

A chronological survey of the complete cycle.
Symphony No 13, in B flat minor (Babi Yar)
Arthur Eisen (bass)
RSFSR Academic Russian Choir
Moscow Philharmonic Orchestra conducted by Kyril Kondrashin
gramophone record

with David Munrow
In his later years Hector Berlioz suffers disappointment over his opera The Trojans, but finally marries his great inspiration Harriet Smithson.

Fifteenth of 18 programmes ANNE SHASBYand
RICHARD MCMAHON
Schumann, arr Bizet Six Studies in canonic form, Op 56 Bizet Jeux d'enfants
I Repeated: 19 April, morning)

igor ozim (violin)
BBC NORTHERN SYMPHONY ORCHESTRA leader BARRY GRIFFITHS conducted by ALVARO CASSUTO Part 1
Webern Passacaglia, Op 1
6.28* Brahms Violin Concerto in D major

A series of short talks with long thoughts behind them.
Dr Everett Helm. the American composer and musicologist, submits a reassessment of Tchaikovsky.

Part 2 Tchaikovsky
Symphony No 4, in F minor
(A public concert presented in the University, Lancaster on 25 March by the BBC) BBC Manchester

This week: 30 Years of the Welsh National Opera
Introduced by John Amis Producer DENYS GUEROULT followed by an interlude

A simultaneous broadcast with BBC1
Melodrama in one act
Libretto by GIOVANNI TARGIONI-TOZETTI and GUIDO MENASCI , after a story by GIOVANNI VERGA Music by Maseagni (sung in Italian)
This celebrated tale of passion and violence takes place in a Sicilian village on Easter Day, when the Rustic Code of Honour of the title is meted out in full!
Villagers, peasants, children, carabinieri
Children from Edith Cavell School. Hammersmith County School for Girls, and Sussex House Preparatory School ROYAL OPERA CHORUS Chorus-Master ROBIN STAPLETON
ORCHESTRA OF THE ROYAL OPERA HOUSE conducted by ROBIN STAPLETON See also page 52

Mrs Irene Grant , who was working for an international peace organisation in Vienna. tells the story of how she smuggled Brecht's daughter out of Germany in 1933.

A simultaneous broadcast with BBC1
A drama in two acts Words and music by Leoncavallo
(sung in Italian)
Paoliacci is in the form of a play within a play, and concerns the fortunes and misfortunes of a group of strolling players, both on and off the stage. But the mask of revelry is torn away as events reach tragic proportions.
Villagers, children See also page 52

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