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Woman's Hour: Infected blood scandal, Anita Pallenberg, Feminist theatre

Infected blood scandal, Anita Pallenberg, Feminist theatre

BBC Radio 4 - Woman's Hour, Infected blood scandal, Anita Pallenberg, Feminist theatre

We hear from one of the wives and partners infected with HIV in the infected blood scandal

We hear from one of the wives and partners infected with HIV in the infected blood scandal.

The long awaited final report of the public inquiry into the infected blood scandal is published today, The inquiry was announced in 2017 after years of campaigning by victims. From the 1970s to the early 1990s, approximately 30,000 people were infected with blood contaminated with HIV and Hepatitis C. Over 3,000 have since died, with one person estimated to die every four days in the UK. The affected groups include those who received infected blood via blood transfusions, such as women following childbirth, and individuals with haemophilia—predominantly males—and others with similar bleeding disorders who received contaminated blood products. Around 1,250 people with bleeding disorders, including 380 children were infected with HIV. Fewer than 250 are still alive today. Some transmitted HIV to their partners. Nuala McGovern speaks to Clair Walton, who gave evidence to the inquiry. She has been campaigning for years for the wives and partners who became infected to be heard and acknowledged.

Anita Pallenberg was the quintessential 1960s Rock and Roll 'It' girl. A model, actress and artist, she is best remembered as a muse for The Rolling Stones. But a new film about her life, Catching Fire: The Story Of Anita Pallenberg, puts her experiences front and centre and explores her unique creativity and her influence on the sound and swagger of The Stones. Her son Marlon Richards, who is an executive producer on the film, tells Nuala about her wild and intense life.

The book Feminist Theatre – Then and Now brings to life the lived experiences of three generations of women working in British theatre over the last 50 years and reveals the struggle to succeed in an industry where gender, race, sexuality, class and parenthood were, and still can be, serious obstacles to success. Nuala is joined by the book’s editor Cheryl Robson and a contributor, the playwright Moira Buffini.

Mary Morton has built up an army of 'street stitchers' - volunteers who sit in the parks and streets of Edinburgh and offer to advise on repairing the clothes of passers-by. Mary has not bought clothes for five years after becoming concerned about the impact of textiles on the environment and wants to teach people the skills to be able to repair and continue to wear their clothes. She joins Nuala.

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