The Essay: Vaughan Williams: Belonging

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The Essay: Vaughan Williams: Belonging: Vaughan Williams - Clare Shaw

Vaughan Williams - Clare Shaw

Vaughan Williams: Belonging

BBC Radio 3 - The Essay, Vaughan Williams: Belonging, Vaughan Williams - Clare Shaw

Personal essays on what Vaughan Williams means to five different writers.

Personal essays on what Vaughan Williams means to five  artists. Poet Clare Shaw remembers playing viola and how Vaughan Williams’ Rhosymedre sustained them in bereavement.

Five writers and artists not normally associated with classical music, discuss a specific example of Vaughan Williams’s work to which they have a personal connection, and why it speaks to them.

Following on from the successful Five Kinds of Beethoven Radio 3 essay series in 2020, where a wide range of Beethoven fans shared their personal relationship to the composer and his work, this new series gives similar treatment to Vaughan Williams. 

Our essayists share their unexpected perspective on Vaughan Williams’s work, taking it outside the standard ‘English pastoral’ box, in a series of accessible essays, part of the Vaughan Williams season on Radio 3. 


Essay 1: Clare Shaw – poet/dramatist

Clare considers the role that Vaughan Williams’ setting to music of the Welsh hymn Rhosymedre has played in their life. They first played it as a teenager on the viola, for the Burnley Youth Orchestra.  It symbolised an expression of beauty, love and hope, a sense of voice and connection to place and possibility... It is also that rare moment in music where the viola gets to carry the melody. Then, in Clare’s fifties, when their mother (a cellist) died, the piece became a conduit for overwhelming grief, a way of holding the horrific and sublime experience of being present at the moment of death.  Clare came home after their mother had died and played Rhosymedre, then wrote this poem about her and the music.

Clare Shaw is a poet and performer, tutor and trainer.
They have four poetry collections from Bloodaxe: Straight Ahead (2006), Head On (2012),  Flood (2018) and Towards a General Theory of Love (2022).
Clare is a regular tutor with a range of literary organisations - including the Poetry School, the Wordsworth Trust and the Arvon Foundation - delivering creative writing courses, workshops and mentoring sessions in a variety of different settings, with individuals at all levels of ability, confidence and experience. They work with the Royal Literary Fund and the Writing Project, supporting the development of writing skills in academic settings and workplaces. Clare is the co-director of the Kendal Poetry Festival - and involved in a range of innovative projects with artists and practitioners in other disciplines, including psychology, visual arts and music. Clare is also a mental health educator. All their work is underpinned by a deep faith in language: words have the power to harm and help us, and powerful language can transform us as individuals, communities and societies.


Writer and reader Clare Shaw
Sound designer Paul Cargill
Producers Polly Thomas and Yusra Warsama
Exec producer Eloise Whitmore

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Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

Writers and artists not normally associated with classical music, discuss a specific example of Williams' work to which they have a personal connection, and why it speaks to them.

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