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BBC Radio 3 is a radio channel that started transmitting on the 30th September 1967. It replaced Third Programme.

BBC Radio 3

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In Tune

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Music: Classical

Live music and interviews from the world's finest classical musicians.

Radio 3's drivetime show brings you incredible live music and interviews from the world's finest classical, jazz, folk and world musicians.

Radio 3's drivetime show brings you incredible live music and interviews from the world's finest classical, jazz, folk and world musicians. If it's happening in the world of music, you'll hear it first on In Tune.

In Tune: Trevor Pinnock, Akram Khan, David Pountney

Trevor Pinnock, Akram Khan, David Pountney

23/05/2013

BBC Radio 3 - In Tune, Trevor Pinnock, Akram Khan, David Pountney

Sean Rafferty with choreographer Akram Khan, live music from harpsichordist Trevor Pinnock

Sean Rafferty is joined by choreographer Akram Khan and director David Pountney. Plus live music from harpsichordist Trevor Pinnock and soprano Susan Gritton.

Sean Rafferty's guests include world-renowned harpsichordist and director Trevor Pinnock, one of the pioneers of the early music renaissance in the 1980s. He'll be playing live in the studio ahead of a recital at the Beverley & East Riding Early Music Festival.

Also performing live is soprano Susan Gritton who plays Tatyana in Grange Park Opera's new production of Eugene Onegin. Onegin himself, baritone Brett Polegato, will also be talking to Sean about the show.

Also today, celebrated choreographer Akram Khan as he prepares for his new show at Sadler's Wells marking the centenary of Stravinsky's The Rite of Spring. Plus, In Tune's week-long celebration of Wagner's 200th anniversary continues with an interview with David Pountney, director of Welsh National Opera's Wagner's Dream season.

Main headlines are at 5pm and 6pm.
In.Tune@bbc.co.uk
@BBCInTune.

Live music and the arts: broadcasts more live music than any other radio network. Classical music is its core. Genres include world and new music, jazz, speech and drama.

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