As Rembrandt paints his most iconic work, The Night Watch, his wife Saskia lies dying. Her death begins a ten-year decline in Rembrandt’s output as he pours himself into etching instead. Many etchings are erotically charged, perhaps a result of an affair he has begun with his infant son’s nursemaid. However, that relationship ends with her being committed to a house of correction – a punishment Rembrandt himself apparently played a role in. These moral and sexual ambiguities bleed into other works. Although he finds new love and happiness with a new housemaid, he finds that he has become Amsterdam’s most notorious marital embarrassment.

Further shame comes for Rembrandt in 1656 as his debts become unmanageable. No longer able to make enough money from his paintings now that he is starting to fall out of favour and fashion, Rembrandt declares bankruptcy. It is an act that will come to define him even in the centuries after his death.
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