Bela Bartok (1881-1945) The Concerto Principle
From the first works that he deemed worthy of opus numbers to his uncompleted swansong, the Viola Concerto, Bartok sought an ideal integration of soloist with orchestra.
Rhapsody, Op 1, for piano and orchestra
Piano Concerto No 1
GEZA ANDA
BERLIN RSO/FERENC FRICSAY records