Richard Coles attempts to settle the prolonged debate about Wagner and anti-Semitism and whether it should affect our appreciation of the music. He also explores how digital technology is changing dance, as the Dance Umbrella festival showcases
Mark Baldwin 's setting of James MacMillan 's The Confession of Isobel
Gowdie and as Siobhan Davies plays with the relationship between dance and design in a new piece to
Gerald Barry 's arrangements of Handel arias. Producer Robyn Read