First of two programmes in which Nicholas Danby shows how French composers responded to the brilliant new colours invented by organ builders in the 17th century. He introduces the recitals, recorded in Leonhardtskirche, Basel, Switzerland
Atlaignant Prelude sur ( hacun ton, (Magnificat) Titelouze Pange lingua (3 verses)
Nivers Sacris solemnis 1 verses): Suite du troisieme ton: Prelude: Basse trompette; Duo; Grand jeu
Lebcgue Noel : Pour l'amour de Marie
(Recording facilities of Swiss Radio)