JOHN CAREWE analyses the structure of the opening bars of Mozart's G minor Symphony (K.550) and Beethoven's Second Symphony, and shows how far, in his opinion, different conductors succeed in expressing this structure.
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JOHN CAREWE analyses the structure of the opening bars of Mozart's G minor Symphony (K.550) and Beethoven's Second Symphony, and shows how far, in his opinion, different conductors succeed in expressing this structure.
