Meyerbeer's reputation today rests on operas commissioned forthe Paris Opera. His dominance there would eventually result in his being the most frequently performed composer during the 19th century. Donald Macleod describes Meyerbeer's arrival in Paris, his intoxication with the city and his first great success there: Robert le Diable.
Komm Anne Sofie von Otter (mezzo), Melvyn Tan (fortepiano)
Le Poète Mourant Glenn Chambers (baritone), Kenneth Weiss (piano) Robert le Diable (Act 3, Scene 7)
Bratislava Chamber Choir, Orchestra
Internazionale d'ltalia, conductor Renato Palumbo
Robert le Diable (Act 5, excerpt)
Bratislava Chamber Choir, Orchestra
Internazionale d'ltalia, conductor Renato Palumbo