Locatelli seems to have made a comfortable living in Amsterdam, not just from the sale of his music but also from teaching and from selling strings and bows imported from Italy. He continued to perform, as witnessed by a young English gentleman and his tutor who provided vivid accounts of Locatelli's virtuosity. There were conflicting attitudes to Locatelli's music; in England it was rather mixed, whereas in France they welcomed his innovative style of writing. Donald Macleod introduces another of Locatelli's flute sonatas that proved so popular amongst amateur musicians across Europe and one of the violin sonatas which best demonstrates the technical wizardry for which he became renowned. Show less