The last few decades have seen a previously unimaginable diversity of styles in British film music - with award-winning rock, dance and electronica scores by Pink Floyd, Massive Attack and Radiohead's Jonny Greenwood - and music that increasingly blurs lines between genres by figures such as Michael Nyman and Nitin Sawhney.

Amidst all of this, Richard Rodney Bennett's extraordinary ability across a vast array of styles, from avant-garde modernism to jazz to quintessential British classicism, made him one of the most sought-after British composers in film.

Film music expert David Huckvale joins Donald Macleod for a final time to discuss his legacy - and the extraordinary crosspollination of musical genres in British film music at the beginning of the 21st century. Show less