4/5. Donald Macleod discovers how the composer's willingness to blur the lines of Church and theatre in Hamburg made him enemies among his professional rivals in the city. He also considers the influence this had on his music through selection of works for religious and dramatic occasions.
Cantata: Saget den Verzagten Herzen
Dorothee Meilds (soprano), Britta Schwarz (mezzo), Wilfried Jochens (tenor), Dirk Schmidt (bass),
Magdeburg Kammerchor , Telemann-Kammerorchester Michaelstein, director Ludger Remy
Pimpinone (excerpt)
Mechthild Bach (Vespetta), Michael Schopper (bass), La Stagione Frankfurt, director Michael Schneider Der TodJesu (excerpts)
Jan Kobow (tenor), Magdeburg Kammerchor , Telemann-Kammerorchester Michaelstein, director Ludger Remy Overture Burlesque
Collegium Musicum 90, director Simon Standage