During his studies with Busoni and Philipp Jarnach, Weill produced large-scale works for orchestra, chorus, solo voice and the theatre; whereas Eisler's love-hate relationship with his teacher Schoenberg resulted in a series of chamber compositions.
Weill Quodlibet, Op 9 (excerpt) - Westphalian SO/Siegfried Landau
Frauentanz, Op 10 - Edith Gordon Ainsberg (soprano) Bronx Arts Ensemble
Eisler Palmstrom, Op 5 - Roswitha Trexler (soprano) Instrumental Ensemble/Hans-Jurgen Wenzel
Divertimento, Op 4 - Instrumental Ensemble
Weill Recordare, Op 11 - Tanglewood Festival Chorus; John Oliver
(Records)