by Pat Gilmour
Although making a print is essentially a way of repeating and therefore mechanising an image, we have retained, Pat Gilmour says, what the German critic Walter Benjamin once called ' a fetishistic, fundamentally anti-technological notion of art '.
An Arts Council Exhibition entitled ' The Mechanised Image, a historical perspective of 20th-century prints', devised and catalogued by Pat Gilmour , opens tomorrow at the Camden Arts Centre in London. followed by an interlude