Last in the series.
The Power of the Popular
The music of the 50s was the shock of the new. Jazz, rock and blues invaded the world of the cinema.
With Henry Mancini , Elmer Bernstein and Wim Wenders ,
Philip Dodd looks at the consequences: has music fallen into the hands of the music supervisor - who chooses rock tracks to maximise music industry profits - or is today's film music truly democratic?