by VICTOR RELY-HUTCHINSON
THE Prelude of Franck begins with a fine broad, march-like tune, containing some characteristically Franckian modulations, the music melting through various keys rather than changing sharply from one to another. This occurs three times in all, with other themes intervening. Then some introductory harp-like music leads in the Aria, which is calmly and simply given out. After that, it occurs many times, in various positions on the keyboard.
The Finale begins with very soft, rapidly-running notes, out of which emerges first a minor-key theme, and then a bold, martial tune.
The minor-key tune begins again, and then the chief tune of the Aria sings out aloft.
The earlier themes of the Finale now return, and then we have a reminiscence of the work's First Movement. So the piece moves quietly to its end.