A fortnightly forum in which musicians assume the role of critics and react to recent musical events, publications, or controversies of outstanding interest.
In this edition:
HUGH WOOD reviews the first performance of Humphrey Searle 's opera The Diary of a Madman
Econ WELLESZ, one of Schoenberg's earliest pupils, reviews the first staging in this country of Schoenberg's monodrama Erwartung