Tlj(' Eye o/ the Beholder Composers' visions of each other form the basis of Jeremy Siepmann 's selection of records this week, with Bach recreating Vivaldi, Busoni following suit with Bach himself, and Stravinsky recomposing Gesualdo. Satie is heard through the ears of Debussy,
Dowland through those of Thomas Horley , and Bizet through the power of suggestion. Benjamin Britten demonstrates the Midas touch with an Irish folk song, Tielman Susato puts his faith in posterity, and Chopin pays a peculiar sort of homage to Mozart.