A Magpie Called Igor
3: Of Fairy Tales and Exotic Scales
Jonathan Cross reveals the unusual ways Stravinsky divided up his octaves to create a distinctive sound, especially for evocations of the supernatural. With excerpts from
Stravinsky's ballet The Firebird alongside one of the sources of his material, Rimsky-Korsakov's Sadko. Later developments in neoclassicism are represented by Stravinsky's Symphony in Three
Movements, music by Olivier Messiaen and John Adams , and examples from jazz and progressive rock.