In this second series of four programmes, John Steane considers the art of record criticism between the two World Wars, particularly as represented by our critics of the Gramophone magazine; he compares the reviews with some of the old recordings
4: Alec Robertson with records of Boulanger in Monteverdi, Casals, Fischer, Backhaus and Busoni in Bach and Horowitz in Scarlatti: as well as Schnabel,
Rubinstein, Gieseking, Moiseiwitsch, Kell and Heifetz.
Producer GRAHAM SHEFFIELD