DAVID WULSTAN discusses the unique qualities of English choral singing during the late 15th and 16th centuries, in particular the question of pitch and tessitura,
Browne Stabat Mater
Josquin des Pris Absalon, fill mi
Tallis Lamentations 1; If ye love me; Hear the voice and prayer
Byrd Laudibus in sanctis; Infelix ego
CLERKES OF OXENFORD conductor DAVID WULSTAN