In the mid-1920s Langgaard suddenly began to compose in a style inspired by the Romantic age. Donald Macleod , with Langgaard's biographer
BendtViinholt Nielsen , explores how Langgaard came to make this change. And towards the end of the Second World War he took another astonishing direction in his music. The Great Master Cometh
Vocal Group Ars Nova, conductor Tamas Veto
String Quartet No 3 Miro Quartet Symphony No 8 (3rd mvt)
Lars Pedersen (tenor), Danish National Radio Choir and Symphony Orchestra, conductor Thomas Daussgaard The Crucifixion (Messis)
FlemmingDreisig (organ), members of the NyLarsKor, conductor Steffen Hyldig Ribe Cathedral (Symphony No 9) Danish National Radio Symphony
Orchestra, conductor Thomas Dausgaard Symphony No 11
Artur Rubinstein Philharmonic Orchestra, conductor Ilya Stupel