With Donald Macleod.
One of the most fascinating paradoxes of Richard Strauss is that he was blessed with a musical language of immense popular appeal; yet one would need to look hard to find a composer who was less motivated byfeelings of kinship towards his fellow man. Today Donald Macleod investigates how these characteristics manifest themselves in Strauss's music.
Overture: Le Bourgeois Gentilhomme Academy of St Martin in the Fields, conductor Neville Marriner
Love Scene (Feuersnot)
Royal Philharmonic Orchestra, conductorThomas
Beecham Kramerspiegel (excerpt)
Dietrich Fischer-Dieskau (baritone), JorgDemus (piano) Salome (excerpt)
Orchestra of Deutsch Oper, Berlin, conductor Giuseppe Sinopoli